Museums - Musée d'Ethnographie de Genève - Carl-Vogt
Musée d'Ethnographie de Genève - Carl-Vogt
Boulevard Carl-Vogt 65
CH - 1205 Genève
Switzerland


![]() | Tuesday – Sunday, 10h00 – 17h00 Museum hours are subject to change. Please contact museum before visiting to confirm the information listed is correct. |
The Musée d'Ethnographie de Genève was originally founded in 1901 through the initiative of Eugene Pittard, professor of anthropology at the University of Geneva. Housed in several locations throughout the twentieth century, the museum completed its installation in its two present locations in 1975.
The museum's collections, which are considered to be the second most important grouping of ethnographic objects in Switzerland, are combined of elements of former collections from a variety of other museums, including the Musée archéologique de Genève, Musée Ariana, Musée de la Société des Missions évangéliques, and the Musée historique genevois. The earliest origins of the collection can be traced back to the Académie de Calvin (1559), which for many years was the only cultural institution in Geneva. In 1725, the Académie amassed its historical and ethnographic objects in the form of a chambre de curiositées which would later be assimilated by a number of Geneva's nineteenth century historical museums.
Today, the museum preserves approximately 80,000 ethnographic objects. The African collection, consisting of more than 17,000 objects, includes sculptures, weapons, tools, utensils, ornaments, clothing, paintings, pottery, furniture, and more, covering the great diversity of the entire continent. The Americas are represented by a group of 12,000 objects from pre-Columbian cultures stretching from the Amazon to Greenland. The Asian collection covers a vast region, from Palestine to Borneo, and consists of more than 14,000 objects, some of which date back to 2,000 B.C. The Oceanic collection comprises some 5,000 objects, with 2,000 originating from New Guinea and 900 from Australia. Highlights include a rare seventeenth century feather coat from the Hawaiian Islands and an overmodeled human skull from New Ireland.
Happenings
Oceanic art Exhibition
The MEG is showing its collection of 25 New Caledonian engraved bamboo objects, one of the great passions of Marguerite Lobsiger-Dellenbach, director of the MEG between 1952 and 1967. These bamboo pieces, or kârè e tâ, stand among the most original works of Kanak art. Entirely covered with abstract and figurative designs, they act as cultural records, illustrating multiple aspects of Kanak life and history, while also functioning as protective talismans.
African art Exhibition
The MEG has put a group of 120 exceptional objects from its African collection on view to familiarize visitors with the "technology of enchantment" embodied by the masks and sculpture of Africa. At the time of their creation, these objects were filled with the power to act upon the world and its inhabitants, and went on to intervene on the behalf of their users in religious ceremonies, defense against sorcery, and rituals of initiation and healing. Often surrounded by secrecy and crafted with extraordinary skill, these masks and sculptures appeared before laymen and initiates in complex and impressive mise en scènes.



