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The boomerang effect

Expired: The boomerang effect

From May 19 2017 to Jan 07 2018

The Musée d’Ethnographie de Genève will present a hitherto unseen collection of autochthonous Australian artworks from May 19, 2017, until January 7, 2018. Titled L’effet boomerang. Les arts aborigènes d’Australie (The Boomerang Effect: The Aboriginal Arts of Australia), the exhibition examines the origins of an art tradition that is deeply rooted in its ancestral territory and exists in osmosis with nature. A series of utilitarian objects and artifacts, including boomerangs, spear throwers, clubs, message sticks, etc., demonstrate aspects of Aborigine daily life. Captivating mythological tales and accounts allow insight into their philosophy and spirituality. Using artworks ranging from acrylic paintings of the 1970s to those produced by the Ghost Net Art Project, which started in 2004, the exhibition presents a journey through time from 60,000 years ago to the present, tracing the Aboriginal quest for identity. Rather than being simply aesthetic or utilitarian, the art represents struggle and has a militant dimension.

POWERMASK - The Power of Masks

Expired: POWERMASK - The Power of Masks

From Sep 01 2017 to Jan 07 2018

"The Antwerp fashion designer Walter Van Beirendonck has been fascinated with the phenomenon of masks since the 1980s and incorporates them into his fashion collections. The Wereldmuseum gave him a free hand to present his vision of the phenomenon of masks. A mask transforms your persona, conjures up a certain atmosphere, and has an immediate impact. POWERMASK delves more deeply into masks and their various facets, such as the historical links between Western art and African masks, the supernatural and rituals surrounding masks, and the uses of masks in fashion and fetishes." On the occasion, Coco Fronsac worked on several photos of the founder of the Wereldmuseum. The exhibition is accompanied by the richly-illustrated book POWERMASK: The Power of Masks.

Jack London in the South Seas

Expired: Jack London in the South Seas

Musée d'Arts africains, océaniens, amérindiens (MAAOA)
From Sep 08 2017 to Jan 07 2018

In this exhibition, the Musée d’Arts Africains, Océaniens, Amérindiens (MAAOA) offers you to explore author Jack London’s remarkable adventure at sea. Accompanied by his wife, Charmian, and crew aboard his ketch, the Snark, he traveled throughout the Pacific Islands between 1907 and 1909. The trip served as inspiration for many of his novels and short stories, but he also collected artworks from and took photographs of his various ports of call. The exhibition looks at these widespread archipelagos and the cultural diversity and artistic abilities of the faraway peoples who inhabit them. In addition to objects from London’s personal collection, it presents a fine selection of Oceanic artworks from the MAAOA’s collection and from those of other museums with specialized collections of tribal art. Excerpts from Charmian London’s journals enhance the presentation, as do movie clips by Martin Johnson, the cook and mechanic aboard the Snark, who later became a filmmaker. A documentary on Jack London by Michel Viotte completes the portrait of this exceptional man.

Photographic Dialog

Expired: Photographic Dialog

Musée de l'Homme
From Oct 25 2017 to Jan 07 2018

The Musée de l’Homme in Paris is showing an exhibition titled "Dialogue photographique: Jean Rouch and Catherine de Clippel", which offers an opportunity to compare views of Africa by two photographers who were interested in the same regions, cultures, and subjects, but at different times. Jean Rouch’s photos were shot between 1946 and the 1970s while Catherine de Clippel’s were taken this decade. Both present an Africa in a perpetual state of movement. Rouch (1917–2004) was an ethnologist, photographer, and filmmaker, who also was a privileged and sensitive witness to the evolution of African societies. His photos, which he often took to document his ethnographic expeditions, depict a variety of subjects including lion hunters, Songhay magic in Niger, and Dogon subjects in Mali. De Clippel is a photographer, documentary film director, and producer. Her work is centered primarily on animist practices both in rural and urban environments in Africa, as well as in Brazil and Venezuela. The exhibition has five thematic sections: Rituals and Possession, Mourning, Traditional Hunting, Colonial Africa, and Independence and Modernity.

We and the others. From prejudices to racism.

Expired: We and the others. From prejudices to racism.

Musée de l'Homme
From Mar 31 2017 to Jan 08 2018

The Musée de l’Homme examines racist behaviours with a scientific approach in his first important temporary exhibition. Informations are only available in French : Avec la volonté d’apporter un éclairage scientifique sur les comportements racistes et les préjugés, le Musée de l’Homme réaffirme son identité, celle d’un lieu de débats, d’échanges et de transmission des savoirs. Au croisement de l’anthropologie, de la biologie, de la sociologie et de l’histoire, l’exposition s’appuie sur des études menées par les chercheurs en sciences de l’Homme et de la société. Elle propose un parcours accessible à tous, qui s’attache à décrypter pourquoi et comment ont pu se mettre en place de tels phénomènes, à un certain moment de l’histoire des sociétés. Dans une scénographie immersive originale - qui place par exemple le visiteur au coeur d’une salle d’embarquement d’aéroport ou d’une terrasse de café - le public est invité à comprendre les mécanismes individuels et collectifs qui conduisent au rejet des « autres », et à prendre conscience des discriminations dans la société française aujourd’hui.

AUSTRALIA: Defending the Oceans / Ghostnet Sculptures

Expired: AUSTRALIA: Defending the Oceans / Ghostnet Sculptures

From Sep 04 2017 to Jan 12 2018

The ghostnets are discarded fishing nets made of plastic abandoned by trawlers fishing illegaly off the coast of northeastern Australia. Dragged by current and trade winds, these nets drift, trapping a rich array of marine life including endangered species, and creating long term damage to the marine environment. Indigenous Australians who depend on the region's fragile ecosystem, including Pormpuraaw in northwestern Queensland, suffer the consequences of this ecological disaster. Some animal species (such as sawfish) that have totemic value for them disappear and put their culture in jeopardy. This is why aboriginal artists launched a new artistic trend to alert public opinion: sculptures made with ghostnets picked up in the oceans or on beaches. The exhibition "Australia: Defending the Oceans / Ghostnet Sculptures", in partnership with the MEG, presents 28 original sculptures. Curated by Stephane Jacob, director of the Arts d'Australie gallery, it will take place at the Palais des Nations at the UN headquarters, in Geneva, until September 22, 2017. It will then be exhibited at the University of Geneva, from November 8, 2017 to January 12, 2018. For more info, please visit :

The Scythians

Expired: The Scythians

British Museum
From Sep 14 2017 to Jan 14 2018

The famous londinense museum lifts the veil on the history of the Scythians with "Scythians: Warriors of Ancient Siberia". These feared nomadic and warlike tribes of the Eurasian steppes prospered between 900 and 200 BC. While they are known to have had contact with the ancient Greeks, the Assyrians, and the Persians, virtually all traces of their culture have been lost. The exhibition presents objects that have been buried under ice for centuries, maintaining a perfect state of preservation before being discovered in tumuli in the high mountains of the Southern Altai in Siberia. Some of them are more than 2,500 years old. Two hundred items—weapons, adornments, textiles, clothing, utensils—document the everyday lives of this enigmatic culture. The installation demonstrates that the Scythians practiced the art of tattooing and many were expert horsemen. Vestiges of tattoos depicting combat situations involving animals are on view, and we also learn that Scythians were buried with their horses, which were believed to help them reach the next world.

"Ancestors & Rituals" at BOZAR

Expired: "Ancestors & Rituals" at BOZAR

From Oct 11 2017 to Jan 14 2018

Europalia 2017 opened in Brussels with a wonderful exhibition entitled "Ancestors & Rituals” and on view until January 14, 2018 at BOZAR. This year, the European festival puts the spotlight on Indonesia, its aim being to explore new perspectives on "the other" and on oneself through the arts. With this exhibition devoted to the particular forms of ancestral cults in Indonesia, the challenge is met!
Indonesia, the fifth largest country in the world, has a myriad of cultures: 255 million inhabitants, 300 ethnic groups and more than 700 languages. Despite this diversity, these cultures share one thing in common: the importance they ascribe to ancestors. The exhibition "Ancestors & Rituals" explores the three crucial functions relating to the past, present and future that ancestors fulfil in Indonesia. The first is to serve as a direct link between the Indonesians and their past. Indeed, it allows the living to claim a social position. The second is to be the guarantors of a social harmony and the third is to be a source of fertility.
The exhibition also focuses on the exchanges that have influenced the cultures of Indonesians over time. It presents 160 archaeological and ethnographic treasures illustrating the rituals around these three stakes: status, protection and fertility. Finally, it invites the visitors to consider the relationship we have with our ancestors and rituals in our western societies.
For more info please visit:

"Rebuilding the Cherokee Nation" at the Gilcrease Museum

Expired: "Rebuilding the Cherokee Nation" at the Gilcrease Museum

From Aug 27 2017 to Jan 21 2018

Beginning in the late eighteenth century, Cherokee leaders embarked on a strategy to facilitate government-to-government relations by creating institutions comparable to those of the United States. These advancements were bolstered by widespread literacy that came about with the 1821 introduction of the Cherokee writing system, called the Sequoyah Syllabary. Despite these adaptive efforts, in 1830, the U.S. Congress passed the Indian Removal Act, authorizing the forceable removal of 46,000 Native Americans from their ancestral lands. Within the decade, some 15,000 Cherokee were compelled by the military to move from their homelands east of the Mississippi to Indian Territory (present-day Oklahoma). The journey west was arduous, with the very old and very young suffering the most. Hundreds died along the way. Despite this seemingly impossible situation, the Cherokee put down new roots and thrived in this new environment. Through art, material culture, and manuscripts, "After Removal: Rebuilding the Cherokee Nation" at the Gilcrease Museum, in Tulsa, Oklahoma, tells the story of resilience in the face of extreme adversity and the rebirth of the Cherokee Nation.

Africa/Americas: Photographic Portraits

Expired: Africa/Americas: Photographic Portraits

Fowler Museum at UCLA
From Sep 10 2017 to Jan 21 2018

"Africa/Americas: Photographic Portraits by Pierre Verger" presents thirty-two striking black-and-white images by renowned French photographer and anthropological researcher Pierre Verger (1902–1996). It is the first solo museum exhibition of Verger’s work in the United States. Verger traveled extensively during his prolific career, and Africa/Americas includes photographs from the Republic of Benin, Brazil, Cuba, Haiti, Nigeria, Suriname, and the United States. However, his central focus was the exploration of enduring continuities linking peoples and cultures of West Africa and the African Diaspora. Over the course of five decades, he took an estimated 65,000 photographs with his Rolleiflex camera, depicting individuals and groups in humanistic, light-drenched portraits. His approach to photography placed great emphasis on the beauty of the human form as encountered in scenes of everyday life.