Expired: Coco Fronsac & King
An encounter between two artists with a fascination for other places: In her work, Coco Fronsac jubilantly scatters old photos of masks and traditional non-European objects, and mixes them in with imaginary creatures. A surrealist marriage of familiar ghosts and exotic strangeness is the result. King, a young ceramicist of Franco-Beninois descent, finds inspiration both in Japan, where he was trained, and in his animist Benin roots. These sources give his work an energetic and refined feeling, one which is imbued with great spiritual power. To be seen during Parcours des Mondes.
Expired: Revealing Creation: The Science and Art of Ancient Maya Ceramics
A new long-term installation at the Los Angeles County Museum of Art will examine ancient Maya ceramic production as both art and science, highlighting how artists of this important Mesoamerican culture worked to emulate acts of primordial creation through their labor of shaping, painting, and firing clay. Revealing Creation: The Science and Art of Ancient Maya Ceramics draws on collaborative research by LACMA’s Conservation Center and its Art of the Ancient Americas Program to integrate new insights gained from technical analysis of Maya ceramic vessels with academic knowledge from Maya culture. The new imaging produced by this research reveals vessel composition, pigment chemistry, and modern modifications. Select images will be juxtaposed with the actual objects in the gallery, inviting visitors to view inside these vessels as a way to come closer to the hands—and worlds—of the remarkable artists who created them.
Expired: ReCollecting Dogon
During the twentieth century, the society and visual culture of people living along the steep, rocky Bandiagara Escarpment in present-day Mali captured the imagination of Europeans and Americans. The Dogon are internationally celebrated for their surreal masks, deftly carved figural sculptures, iconic architecture, and rich cosmology. ReCollecting Dogon showcases more than twenty-five examples of artistry from the Bandiagara region acquired by John and Dominique de Menil during the mid twentieth century, as well as antique and contemporary objects from a variety of other sources. The sculptures, masks, necklaces, and other works not only suggest the significance of art to daily life among Dogon peoples, they evoke formidable legacies of colonialism and the limitations of representing Dogon peoples through objects collected by and for foreigners. Curated by Paul R. Davis, ReCollecting Dogon strives to destabilize the authority of ethnographic display.
Expired: African Masterpieces
More than 60 of the world's best international dealers specializing in tribal arts, reunite in Paris for the 12th annual edition of the leading event in its field. Most of the Exhibitors present thematic exhibitions as Beauty Salon from the Maine Durieu gallery, dedicated to objects of head- dressing and finery, jewelry and ornaments from Africa, Asia and Oceania, illustrating the ancestral passion for enhancing the body. The exhibition Portraits of Oceania from Michael Evans Tribal Art provides a fine collection of 19th century photographs on the daily life and traditions of Australian aborigines and the Maoris of New Zealand. And then there is the exhibition from the gallery of Laurent Dodier, who after pulling off a great success in 2011 with spoons originating from British Columbia, is now rounding off his trilogy with what sounds like a promising exhibition of 40 objects from Melanesia and Polynesia.
Expired: Initiation, bassin du Congo
"The Initiated: Congo Basin" is an homage to the material and immaterial richness of the initiation rituals of the peoples of Central Africa. Visitors will have the opportunity to admire major pieces from the Musée Royal d’Afrique Centrale in Tervuren. As it always does, the museum wants these older works to resonate with contemporary art, so it will simultaneously host an exhibition of creations by Romuald Hazoumé, whose well-known “masques-bidon,” or “jerrican masks,” represent both a continuation and a fertile reinvention of African traditions.
Expired: Indiens des plaines
"Plains Indians" at the Musée du Quai Branly as from Tuesday April 9 until Sunday July 20. The exhibition consists of 140 objects and artworks which present a continuous view of the aesthetic traditions of the Plains Indians, from the 16th to the 20th century, offering an unprecedented vision of these traditions.
Expired: Simpson & Stone
Merton D. Simpson Gallery presents a special selection of African and Oceanic Art from the Allan Stone Collection. Opening Reception on Thursday, May 17 and cocktail reception from 3:00 to 7:00pm. 38 W. 28th Street, Fifth Floor, New York, NY 10001 Read more: http://www.mertonsimpsongallery.com
Expired: Africa Re-Viewed: The Photographic Legacy of Eliot Elisofon
In celebration of the 40th anniversary of the Eliot Elisofon Photographic Archives at the National Museum of African Art, the museum is organizing a retrospective exhibition of internationally-renowned photographer Eliot Elisofon. The exhibition focus on Elisofon's innovative photography and its impact on portraying the diverse arts and cultures of modern-era Africa. The exhibition will be the first to pair his photographs with collected objects, films, books, and journals, and the first exhibition in forty years to celebrate his photographic legacy.
Expired: African Mask/Masquerade: More Than Meets the Eye
To highlight a group of generous recent gifts and Museum purchases, this show brings together dynamic works of art from western and central Africa, including several masquerades in full costume. People often think of African masks as wooden face coverings that hang on museum walls. Within their original communities, however, African masks performed in full costume to serve many vital functions. Music, song and dance are essential to their effectiveness.
Expired: Aboriginal painting: Abstraction and sacredness
The essence of aboriginal painting comes from the carnal link it has with Dreamtime, the mythical time of creation of the world for the Aborigines. Since the 1970s, Aboriginal artists have been developing contemporary visual art with the emergence of major talents that Stéphane Jacob invites you to discover on the occasion of his new participation in Parcours des mondes. This exhibition is the occasion to present works by Ningura Napurrula, an outstanding artist who died in 2013 and who had designed a painted ceiling for the Quai Branly Museum. Also presented is a rare work by her husband Yala Yala Gibbs, who was one of the founders of the contemporary Aboriginal art movement at Papunya in the heart of the Australian desert, in 1971. The public can also discover the works of young artists: Abie Loy Kemarre, Alick Tipoti, Dennis Nona, the artists of Yuendumu and those of Yirrkala. The exhibition includes around fifteen works from the Benjamin Clark collection. On the occasion of the exhibition, two catalogues are being presented: Ningura Napurrula: Peindre pour nourrir le Rêve / Nurturing the Dreaming and Morris Gibson Tjapaltjarri.
Host exhibitor: Galerie Arts d'Australie / Stéphane Jacob